my witness is the empty sky.
▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼▲▼
i'm a light sleeper, but a heavy dreamer.


<3 sunshine as a state of mind wabi-sabi 侘寂

staceythinx:

As a former surfer, Paul Bobko had plenty of time to observe waves of all shapes and forms. It was during this time that he found his inspiration for his series Water Landscapes-Suspended Energy. 

About the project:

In his magnum opus, Gravity’s Rainbow, Thomas Pynchon introduces us to the German concept of Brenschluss in the telemetry of the flight of the V2 rocket. The rocket is propelled by its engines and travels along its parabolic arc. At a certain point the engines turn off, this flameout is called brenschluss. At brenschluss the rocket’s ascendancy is checked by gravity, and before it begins to fall to its target on earth, it hesitates for just a moment. After this moment gravity and momentum alone, not a rocket engine, define the inexorable trajectory of descent to its inevitable, calamitous end.

So to do Paul Bobko’s Water Landscapes-Suspended Energy photographs allow us to see that very moment of hesitation when the force of nature that is the ocean wave, ceases to be propelled by the surging forces of the ocean floor. The ocean suddenly lets go and sets it free, it hesitates at this moment of release, then crashes on the shore, liberated, but spent. Bobko shows us this very moment of hesitation, before the explosion. The outline of the explosion is clear and coming, but it hasn’t happened yet, it is, as yet, prelude…the power is still coiled in the curl, frozen for this second. Light comes glowing through that watery tunnel, foam is leaping from its crest, escaping and ecstatic. The menace is limned in the terrifying flexing of its form. It is most exhilarating to see the noun become the verb.

sculpture-center:

Phillip Stearns, DCP_0267, 2012. 9” x 6”. Digital C-Print.RECOMMENDED: A Camera Darkly, curated by A. E. Benenson and featuring the work of Phillip Stearns and Christian de Vietri, is currently on view at The Camera Club of New York (336 West 37th Street, Suite 206) through June 23, 2012. The work on display engages early photographic techniques and the genre’s more contemporary forms. Stearns rewires a digital camera’s photosensitive chips to respond to electric pulses instead of light. The resulting images resemble 19th Century light-less entoptic images. De Vietri submits a series of Gustave Doré black and white lithographs to a scanner, which translates the prints into waves of color, suggesting a complex relationship between printmaking and digital production. 

modernizing:

Photo Collage by Kim Hee-Soo

crucifiction-in-space:


                                                 PLANET BLUE APRIL’12 LOOKBOOK

Photography : Zoey Grossman
Model : Chloe Norgaard
Stylist : Sarah Peinado
Hair & make-up : Stacey Tan

unreal.

(via artoftranslation)

FOUND YOU, you missing little asshole. Let&#8217;s fall back in love now. (Taken with instagram)
jeeeezis
winslowlaroche:

untitled, 2011
dreamdeath:

Christopher Bucklow

automatic reblog, saw these in person in chelsea once and just about died.
http://chrisbucklow.com/guests.html
ryan mcginley.